Collaborative CV, Simon Hollington & Kypros Kyprianou
'The Castle', Wilkos, Folkestone (Hoodwink commission) 2014
What a Carve Up! Public House Projects, London 2012
‘The Allenheads Findings’, 2011 ACA, Old Post Office & Heritage Centre, Northumberland
‘Goodbye, Vile Earth!’, SHP, Bracknell, 2008. Curated by Helen Sloan, Tom Freshwater and Dr.Uti Remes
‘The Invisible Force Field Experiments Accident Report’, ICA, London, 2005. Curated by Vivienne Gaskin
‘The Invisible Force Field Experiments Accident Report’, Mop Projects, Sydney, 2005. Curated by Adam Norton
‘The Invisible Force Field Experiments’, Artsway, Hampshire 2003
‘Gravity vs Reason', BBQ Project, Berlin, Germany, 2001
The Short Circuit’-Experimental Documentary Films, Brighton Science Festival.
‘Surveillance’, Access Space, Art Sheffield's Parallel Programme Curated by Rose Butler.
‘One Minute Volumes 3-9’ Liverpool Small Cinema, Fábrica Braço de Prata's, Sala Visconti, Lisbon, Portugal. Teatro do Bairro, Lisbon Portugal. Curated by Kerry Baldry.
‘Things Unfixed’, Tintype Gallery, London. Curated by Jo Addison.
Index Arts Centre, New Jersey, USA
'The Internet of Cars', Bridport Arts Centre and Winchester Science Centre. (commissioned by SCAN and Sixth Sense Transport)
'Future Dreaming' Foundry, Lewes (curated by Guyan Porter)
Hanover Project, University of Central Lancashire
One Minute Vol 1-6, Furtherfield, London & 20-21 (curated by Kerry Baldry)
Expanded, Ghost, St.James Hatcham, Goldsmiths, London (curated by Sarah Sparkes)
Art Platform L.A (Armory/Paul Young Projects) Los Angeles, USA
One Minute Volume III, Peloton Space, Sydney, Australia
Local Anaesthesia, 198 Gallery London
Retrofuturism, Indianapolis, USA
Ghost III, St. Johns, Bethnal Green, London
C-Words, Arnolfini, Bristol. Curated by Platfrom, London
Inkubator, Durham Art Gallery & Light Infantry Museum. Curated by David Faithfull
24/7, Gooden Gallery, Vyner Street, London. Curated by Neil Drabble
'One Minute Volume 3', Contemporary Art Ruhr, The Zollverein World Cultural Heritage Site, Germany, Marseille Project, France, Back Door, Melbourne, Castlefield Gallery, Manchester, The Foyer Gallery Space, Hull School of Art and Design, Merrion Centre, Leeds, PRISM, Bank St Arts, Sheffield, and all UK Big Screens. Curated by Kerry Baldry
'Figuring Landscapes', Tate Modern, video show touring UK and Australia Venues include; Showroom, Sheffield; Chapter Arts, Cardiff; Brighton Cinematheque; Bureau, Salford; Dundee Contemporary Arts; Vivid, Birmingham; Hull Short Film Festival and FACT, Liverpool. The DELL Gallery in Brisbane, Ivan Dougherty Gallery, Sydney, James Cook University, Northern Queensland. Curated by Steven Ball and Katherine Elwes.
’37 Seconds’, BBC/Liverpooll Big Screen, Clayton Square, Liverpool. Curated by Rebecca Lennon
‘Host’, International Film Festival, Annonay, France. Curated by Host Artists Group.
'Newton, Forgive Me', Shot by the Sea Festival, Hastings. Curated by Emilia Telese
‘New Forest Pavilion’, Venice Biennale offsite, Italy. Curated by Mark Segal
‘Where It Was, Shall I Be’, Diyarbakir, and Istanbul, Turkey.Curated by Gulsen Bal
‘Prog:me’ Rio De Janerio, Brazil.
‘Cinema’, Showroom Cinema, Sheffield, Falmouth Arts Centre, Side Cinema, Newcastle. Curated by Host Artists Group
‘My Blood is Electric’, The Spitz, London. Curated by Tom Dale
‘In Three Weeks Time’, Clapham Art Gallery Project Space, London. Curated by Andy Marsh
‘Stufft’, The Red Gallery, Hull. Curated by the Red Gallery Artist Group
‘Cross-Roads’, Bandirma Festival, Turkey. Curated by Gulsen Bal
‘MiArt Contemporary Art Fair, Milan, Italy. Curated by Gulsen Bal
‘Sheff 03: ‘Sounds For An Empty Nightclub’ Sheffield. Curated by Host Artists Group
‘Short and Sharp’, 291 Gallery, London. Curated by Gulsen Bal
'What If?' Devlet Resim Heykel Museum, Ankara, Turkey. Curated by Gulsen Bal
‘Con Art’, Site Gallery Sheffield and Glynne Vivian Museum, Swansea. Curated by Carol Maund and Helen and Pier Giorgio Verola
‘Moving Parts’,Voltaire Studio, London. Curated by Nik Ramage
'Three Days of Love and Hate', 12 Bar Club, London
'What If ?', 333 Kifisias Avenue, Athens, Greece. Curated by Gulsen Bal
'Hart', Hartspace, Hull. Curated by Hart Artists Group
'One Square Foot', The Hallway Gallery, London
'24 Frames of Separation', IAS, Dilston Grove, London
'Root 2000', Hull Time Based Arts, Hull,
'Project Valis', 291 Gallery, London. Curated by Dr. John Cussans
‘Visions in The Nunnery’, The Nunnery, London. Curated by Cinzia Cremona and Chris-Meigh Andrews.
‘Stuffed,' The Stuff Gallery, London. Curated by Stuffed Gallery Artist Group.
'We're Not In Kansas Anymore', Poplar Baths, London. Curated by Helen Ben-Zenou and Laura Bruce
'Lo-Res', Channel 4
'Trailer For An Existential Disaster Movie'. Greenwich Film Festival, APT Gallery
‘One Night Stand’, Brockwell Lido, London. Curated by Claire Taylor and Neil Chapman
'TooT', Hull Time Based Arts, Hull
Futures Residency, Allenheads contemporary Arts, 2011
British Atomic Nuclear Group Residency, 2008
Farnborough Air Sciences Trust Residency, 2007
Artsway Pro(duction) Residency, Artsway, Hampshire, 2003.
'The Future of Futures' Association of Professional Futurists, ed. Andrew Curry, From Design Futures to Experiential Futures, Noah Raford.
‘The Invisible Force Field Experiments’ DVD/Booklet ISBN:09543930 4 X
'Host 4, Cinema dvd 36x1 minute films, 36 artists
'The contingency of curation' 2010 published by MA Critical Writing Curatorial Practice (Chelsea College of Art and Design) Centre for Curatorial Studies (University of Essex) MA Contemporary Fine Art(Curating) (Sheffield Hallam University)
'Adams & Smith' 2009 ISBN 978-1-4452-0829-9
‘Technology is the new Magic’, Central St. Martins 2015.
‘The CSI of Things’, Royal College of Art, 2015.
‘When Science Fiction Meets Art-Restless Futures’, Central St.Martins 2014.
‘Culture In a time of Crisis’, University College Falmouth, 2013.
‘Punk. What was that all that about?’ Central St. Martins 2012.
'British Atomic Nuclear Group', the Nuclear Industry in the 21st Century, Nuclear, Industry Research Group, University of Toronto, Canada 2012
'Technology and the Uncanny', MAnifesting Ghosts, University of London, 2012
Technology and the Uncanny, EVA, London 2007
'The Invisible Force Field Experiments’, Science Fiction(s), Institute of Film and Television Studies, School of American and Canadian Studies, University of Nottingham 2005
Broadcast Panel Discussions
‘The Contingency of Curation’, Tate Britain, 2010
‘Transmission’, Showroom Cinema/Site Gallery, Sheffield, 2010
‘Nuclear: Art and Radioactivity’ Royal Society for the Arts, 2008
‘The Invisible Force Field Experiments’, ICA, London, 2005
‘A Little Bit of the Future Got Here Early’, ICA, London 2005
‘Is This The Post- Post Modern?’, Live from The Art House, Resonance FM 2004
‘New technologies Vs New Ideas’, Live from The Art House, Resonance FM 2003
‘Hey Presto’, Site Gallery Sheffield’, 2002
‘Time, Space and Diabolical Technology’, Hull Time Based Arts, 2002logies Vs New Ideas’, Live from The Art House, Resonance FM, Feb 2003
Selected Articles and Reviews
The Nuclear Culture Source Book’, Editor Ele Carpenter, Black Dog Publishing in partnership with Bildmuseet, Sweden and Arts Catalyst, UK, 2016.
'The Ashgate Research Companion to Paranormal Cultures', Olu Jenzen, 2016.
‘The Blue Plaque: Co-Creating Design Fictions in the Wild’, Mel Woods and Deborah Maxwell, Proceedings, Research through Design Conference, Cambridge 2015
‘British Art in the Nuclear Age’, Catherine Jolivette, Ashgate Publishing, 2014
‘The Castle’ The Independent’, Chris Mugan, August 2014
‘The Future of Futures’, Association of Professional Futurologists, USA, 2012.
'Contemporary Art Journal', South Korea, Hyung-Tak Jung, 2011
'AN magazine' The Allenhead Findings, editorial, 2011
'AN magazine; This is the Future, Iris Priest, 2011
‘Transmission: Host-Hollington & Kyprianou’ Artwords Press/ Art and Design Research Centre Sheffield Hallam University 2010.
'RSA Arts & Ecology magazine', 'Post capitalist auction er?..' William Shaw Nov 2009
'a-n.co.uk', ‘C-Words', David Trigg, Nov 2009
'The Guardian.co.uk', ‘Count down to Copenhagen', Tom Allen, Oct 2009
'RSA Arts & Ecology magazine', 'Figuring Landscapes', David Berridge 2009
‘Time Out’, Critics choice, Nuclear: Art and Radioactivity’, 2008
‘The Guardian’, Jessica Lack, ‘Nuclear: Art and Radioactivity’, 2008
‘The Telegraph’, Dominic Cavendish ,‘Nuclear: Art and Radioactivity’ 2008
‘Images Magazine’, Dominique Moulon, ‘Media Art in London’, 2008
‘Figuring Landscapes’, eds Catherine Elwes and Steve Ball, published by ICFAR, 2008
‘An-Interface’, Ben Mallac, ‘,‘Goodbye Vile Earth’2008
‘An-Unedited ‘, Fabienne Nicholas, ‘Can We Escape the Speed of light?’, 2006
‘The Invisible Force Field Experiments’, Andy Sawyer, Science Fiction(s) Conference, Nottingham University, Aug 2005
‘Real Time Arts’, Sydney, Fabienne Nicholas, Oct 2005
‘Sydney Morning Herald’, Dominique Angeloro, Aug 2005
‘AN Magazine’ June 2005
‘City Racing’, Pete Owen & Mathew Halle, Black Dog Publishing, 2003
'Art Monthly', Nicky Bird, April 2002
'An Magazine', Justine Brooks, April 2002
'Front Row,' BBC Radio 4, Roger Cork, Feb 2002
'The Guardian', Alfred Hickling, Feb 2002
'The Times', Amber Cowan. Feb 2002
'International Herald Tribune', Alexandra Koroxenidis Oct 2001
'Art Scene’, Dee Gijak, Sept 2001
'London Art Magazine', Sally O'Reilly, April 2000
'Art Monthly', David Briars, Dec 1999
'Artist News Letter', David Briars, December 1999
‘Flux Magazine’, Aug/Sept 1999
'Live Art Magazine', Sept 1999
'The Gallery Channel', Miranda Mason, Oct 1999